After directing more than fifty feature films including the three-part New York Stories (1989) with contributions from Francis Ford Coppola and Martin Scorsese and the re-edited/re-dubbed version of a Japanese spy thriller retitled, What’s Up, Tiger Lily? (1966), Woody Allen has one of the most impressive filmographies of any living director in Hollywood. Regardless of what you think about him as a person due to the controversy that surrounded his marriage to adopted stepdaughter Soon-Yi Previn, one can’t deny all of the critical acclaim he has amassed over the years, which includes 24 Oscar nominations, three of which won the Academy Award for Best Screenplay (Annie Hall, Hannah and Her Sisters and Midnight in Paris). Not all of his films have been box office hits and some have been minor efforts or polarizing like September (1987) or Deconstructing Harry (1997), but the true acid test for any fan or critic who loves Woody Allen movies is Stardust Memories (1980), his most misunderstood and generally maligned tenth feature about the downside of being famous.