The Ballad of Hank McCain

John Cassavetes stars in the title role of MACHINE GUN MCCAIN (1969) aka Gli Intoccabili, an Italian crime drama directed by Giuliano Montaldo.

Lean, mean and paranoid, convict Hank McCain (John Cassavetes) is sprung from prison by West Coast mobster Charlie Adamo (Peter Falk) to rob a Las Vegas casino that is owned by an East Coast Mafia boss in the same syndicate. Adamo’s underhanded attempt to muscle in on his fellow gangster’s territory ignites a gangland war between factions with McCain caught in the middle and running for his life after he successfully pulls off a $2 million dollar heist. Along the way, McCain is double-crossed by his own son, hooks up with Irene (Britt Ekland), a bar hostess, is briefly reunited with his former mistress Rosemary (Gena Rowlands) and goes down fighting in a genuine noir finale. Although it didn’t get any respect from the critics or even much notice from film reviewers at the time, Machine Gun McCain (Italian title: Gli Intoccabili, 1968) is a remarkably taut, fast-paced B-movie crime thriller that is as feral and cagey as its title hero. Cassavetes imbues his role with a pent-up intensity that threatens to explode at any moment and often does. It’s one of his best performances and demonstrates why he was more in-demand as an actor in Hollywood instead of a director.

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Too Chicken to Watch This Giallo?

Anna (Gina Lollobrigida, left) and her assistant Gabrielle (Ewa Aulin) pose for publicity photos regarding Anna’s successful poultry business in DEATH LAID AN EGG aka Plucked! (1968).

Maybe giallo is too specific a film genre for this movie because it is in a class of its own and works as a violent crime thriller but also as an erotic melodrama, black comedy and a satire on scientific experimentation and marketing. If you tried to describe the movie to friends they’d probably swear you dreamed it or are running a high fever but no, this bizarre, fascinating and once obscure giallo actually exists in various titled versions. The original Italian release title was La Morte Ha Fatto L’uovo (1968), but it has been distributed under such monikers as Plucked!, A Curious Way to Love and Death Laid an Egg, which is the more common title. So what’s with the chickens? The film is set, for the most part, in a poultry factory where a new breed of chicken is being produced in an experimental lab. The opening credits, featuring science classroom footage of egg fertilization, embryos and microscopic life forms prepare you for this strange new world.  

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