Everyone has their favorite family vacation horror story but this one takes the prize. In Jeopardy (1953), Barry Sullivan and Barbara Stanwyck play a married couple traveling with their small son (Lee Aaker) along the Mexican coast. After scouting for an ideal location for their fishing trip, they set up camp near a deserted village. The little boy wastes no time exploring his surroundings and promptly gets stranded on a derelict pier. When his father attempts a rescue, he falls beneath the rotting timbers and is pinned in the sand. High tide is just a few hours away and so is certain death unless Stanwyck can find a rescue party for her husband. She races off in the family car to seek help and is apprehended by Ralph Meeker, an escaped convict who commandeers her vehicle with no interest in saving Stanwyck’s husband.
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Burning Love
The early 1960s was a turbulent time for the film industry and the Hollywood studio system was becoming a relic of the past as television and other competitors in the entertainment field lured audiences away. Some movie actors could see the writing on the wall and began to pursue film offers outside Hollywood and the U.S. Some of the more famous former studio contract players who escaped and reinvented themselves in Europe were Clint Eastwood, Charles Bronson, Lee Van Cleef, Jean Seberg and Jane Fonda. Even seasoned veterans like Edward G. Robinson, Lee J. Cobb and Bette Davis appeared in movies made overseas but one of the more unusual examples of American actors appearing in an international production is Barry Sullivan and Martha Hyer in Pyro…The Thing Without a Face (1964, aka Fuego in the European market), directed by Julio Coll and filmed in Spain.
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