Sometimes a film comes along that no marketing department can get a handle on and as a result it just gets tossed out there to fend for itself and to find an audience on its own. That was the case with Deep End, released in 1971 by Paramount Pictures to selected art houses and whatever theaters were willing to book it. I saw the film at the Westhampton Theatre in Richmond, Virginia, which was obviously run by an Anglophile because almost any new British film would play there. Of course, Deep End is only British on the surface. It is set in London but the cast includes British and Germany actors and much of the film was shot in Munich, Germany by Polish director Jerzy Skolimowski.
What do you get when you mix together a serial killer thriller, a May-December romance between an older woman and younger man and a masochistic mother-adopted daughter relationship melodrama with echoes of Now, Voyager (1942)? The result, The Night Digger (1971, aka The Road Builder), from a screenplay by Roald Dahl, is much more homogeneous than you’d expect and is an unjustifiably overlooked curiosity in the filmography of Patricia Neal. Continue reading →