Vittorio De Seta’s L’Invitata

Road movies might seem like a home grown American film genre with such famous examples as Bob Rafelson’s Five Easy Pieces (1970) and Monte Hellman’s Two-Lane Blacktop (1971) but there have also been plenty of influential representatives from abroad such as Henri-Georges Clouzot’s The Wages of Fear (1953) and Wim Wenders’ Kings of the Road (1976). The latter film, in particular, takes a much more introspective and observational approach to character and narrative and such is the case with Vittorio De Seta’s little seen and almost forgotten 1969 feature, L’Invitata (aka The Uninvited).  Continue reading

The Ambrose Bierce Civil War Trilogy

A Union soldier prepares a noose for an accused saboteur in An Occurrence at Owl Creek Bridge, an episode in the three part film, Au Coeur de la vie (In the Midst of Life, 1963).

Stephen Crane’s The Red Badge of Courage, Jessamyn West’s The Friendly Persuasion, Walt Whitman’s collection of poems Drum-Taps and Margaret Mitchell’s Gone With the Wind are among some of the most famous examples of historical fiction and literature about the American Civil War. More recent works would have to include Charles Frazier’s Cold Mountain and Michael Shaara’s trilogy (Gods and Generals, The Killer Angels and The Last Full Measure) but some of the most evocative and unsentimental writing about the War Between the States can be found in the Civil War short stories of Ambrose Bierce, who served in the Union Army’s 9th Indiana Volunteer Infantry. I find it surprising that no major American feature films have been based on his work yet several of his short stories have been adapted for the screen in Poland, England and France. And the most memorable one of all remains Robert Enrico’s Au Coeur de la Vie (In the Midst of Life, 1963).  Continue reading