Imagine Citizen Kane (1941) on a miniscule budget with a much more ruthless and totally despicable protagonist and you have Death of a Scoundrel (1956), a contemporary take on The Rake’s Progress. Like the former film, it was shot on the RKO backlot and unfolds in a flashback structure, starting with Bridget Kelly (Yvonne De Carlo), personal assistant to self-made tycoon Clementi Sabourni (George Sanders), revealing to the police the circumstances that led to the millionaire’s murder. “He was the most hated man on earth,” she declares, “But he could have been one of the great men in history. He was a genius.”
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Jacques Tourneur’s Pulp Fiction Pipe Dream
RKO may have been seen as low on the totem pole in the Hollywood hierarchy compared to MGM, Warner Bros. and other larger studios but their importance in film history is assured by a remarkable roster of talent that at one time included such directors as Orson Welles, Alfred Hitchcock and John Ford. One of RKO’s most famous contractees was Jacques Tourneur who secured his reputation in the forties with Cat People (1942), I Walked With a Zombie (1943), The Leopard Man (1943) and Out of the Past (1947).
Tourneur’s work in the early to mid-fifties might not have matched his glory years at RKO but he still managed to turn out occasional gems like the underrated Joel McCrea western, Stars in My Crown (1950), a late period noir (Nightfall, 1956) and a cult horror classic, Curse of the Demon (1958). Even the less distinguished films from his final years are worth a look and Timbuktu (1958) is a genuine curiosity, flaws and all. Continue reading
