Among the many teen idols of the fifties who climbed to fame with top forty hit records, only a few made the successful crossover to film acting. Pat Boone was groomed by 20th-Century-Fox as a teen matinee idol in Bernadine (1957), Tommy Sands stayed in his comfort zone playing an aspiring pop star in Sing Boy Sing (1958), Fabian made his screen debut with the family-friendly backwoods drama Hound-Dog Man (1959), and Bobby Rydell played your average boy-next-door opposite Ann-Margret in Bye Bye Birdie (1963). Paul Anka, on the other hand, appeared in the most unlikely vehicle for his first major starring role – Look in Any Window (1961).Continue reading
Forget about Boys Town, Judge Hardy and Son, Babes in Arm, The Human Comedy or National Velvet. This is the less traveled road of Mickey Rooney’s post-MGM career where anything goes like co-starring with a talking mule (Francis in the Haunted House, 1956) or managing a troupe of trained monkeys (Babe: Pig in the City, 1998).