Fashion in the Nuclear Age

Models wearing metal sculptures as clothes are featured in a bizarre fashion show in the opening to William Klein’s WHO ARE YOU, POLLY MAGGOO? (1966).

The fashion industry has always been fair game as a target for satirists but the majority of movies about the fashion world have mostly been glamorizations of it (Funny Face, The Devil Wore Prada) or serious validations of the business like the 1995 documentary Unzipped featuring designer Isaac Mizrahi or The September Issue (2007), which focuses on Anna Wintour, editor-in-chief of Vogue. It is much harder to come up with memorable satires on the subject although the supremely silly Zoolander (2001) is fun and Robert Altman’s Ready to Wear aka Pret-a-Porter (1994) is an amusing minor trifle. One of the few exceptions is Qui Etes-Vous, Polly Maggoo? (English title: Who Are You, Polly Maggoo?, 1966), the feature film debut of renowned photographer William Klein, which brilliantly skewers the profession while dazzling you with its visual inventiveness and giddy high spirits.

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Missing in Action: William Klein’s Quirky Portrait of Little Richard

Richard Wayne Penniman
aka Little Richard
circa 1950s

Those who follow the contemporary art scene and are well versed in art history know William Klein as one of the most influential American photographers to emerge in the fifties along with his contemporary Robert Frank. Famous for his unconventional fashion shoots for Vogue as well as his candid documentation of New York City street life, Klein went on to apply his photo-diary approach to Rome, Moscow and Tokyo in the sixties, all of which are available individually as photography collections. He is less well known for his idiosyncratic films (Eldridge Cleaver, Black Panther, 1970) and shorts (Broadway By Light, 1958) but luckily some of his best work is available on DVD – his intimate 1969 portrait of Muhammad Ali, Float Like a Butterfly, Sting Like a Bee (aka Muhammad Ali, the Greatest) and the Eclipse collection, The Delirious Fictions of William Klein that includes Who Are You, Polly Maggoo? (1966), Mr. Freedom (1969) and The Model Couple (1977). But I still want to see more of his cinema explorations made available and The Little Richard Story (1980), a West German production, is at the top of my list. Continue reading