Films about the immigrant experience in the United States often run the gamut from comedy (Coming to America, Moscow on the Hudson) to historical depictions (Hester Street, The New Land) to autobiographical dramas (Elia Kazan’s America, America) and even horror films such as Netflix’s 2021 thriller, No One Gets Out Alive. Still, one of my favorite movies about a foreigner’s adventures on these shores is The Face Behind the Mask (1941), which stars Peter Lorre as an Eastern European refugee looking to start a new life in New York City.
Most medical dramas focus on storylines about the inner workings of a hospital, rivalries between staff members, patients in crisis situations or maybe all of the above. Bedside (1934) is unique in that the main character, Dr. J. Herbert Martell aka Bob Brown, isn’t a real doctor at all. He’s only an X-ray technician posing as a MD and his motivation has nothing to do with the Hippocratic Oath. He’s a dirty rotten scoundrel and you know he’s up to no good from the start because he is played by Warren William, a familiar face in films of the Pre-Code period.