The Taiwan film poster for SPLIT OF THE SPIRIT (1987)
Remember the 1984 comedy All of Me, directed by Carl Reiner? In that film, Lily Tomlin plays a dying heiress who plans to have her soul transferred into the body of a younger woman but something goes wrong in the process and she ends up inhabiting the body of an attorney (Steve Martin). Imagine a horror fantasy variation of that premise and you have Li Gui Chan Shen (English title: Split of the Spirit, 1987), a Taiwanese film from director Fred Tan.
The Italian film poster for the 1994 film THE ARCANE SORCERER
Ever since the international box office success of The Exorcist in 1973, horror films dealing with religion and priests have usually focused on demonic possession. This trend even continues today as witnessed by the release of The Pope’s Exorcist (2023) and The Exorcism (2024), both starring Russell Crowe. A refreshingly different approach to this often formulaic subgenre is L’Arcano Incantatore (English title: The Arcane Sorcerer), a sadly overlooked but richly atmospheric period thriller from Italian director Pupi Avati, which premiered in 1996 but never received an official theatrical release in the U.S.
For my annual Halloween horror pick, I am highlighting a contemporary film, one that is currently playing in theaters, and not a horror classic from the past. Cuando Acecha la Maldad (U.S. title, When Evil Lurks, 2023) is the sixth feature film for Argentine director Demian Rugna, which includes his 2011 movie Malditos Sean! (U.S. title, Cursed Bastards), co-written and directed with Fabian Forte. This is a movie about demonic possession but it has little in common with the most famous film in that horror subgenre, The Exorcist (1973), with one exception: we never learn how or why the evil entity goes about choosing the victim that launches the ensuring madness. The nightmare starts with a bang – literally – as two farmer brothers Pedro (Ezequiel Rodriguez) and Jimi (Demian Salomon) hear gunshots on their neighbor’s property. When they investigate the following day, they discover that a member of their neighbor’s family is a “rotten,” a possessed being, and no one knows how to deal with it. When the brothers ask wealthy landowner Ruiz (Luis Ziembrowski) and his pregnant wife for help, they inadvertently set in motion a series of actions that not only release the evil spirit but help it spread like a virus.
Can you name five great paranormal comedy movies released in the past decade? I’m drawing a blank. By my estimation, two of the best comedies about the spirit world were released back in the eighties – Ghostbusters (1984) and Beetlejuice (1988) – and there has been nothing to really rival them since then. Of course, if we were to broaden the search to include best horror comedies of the past decade then I would have to pick the 2014 vampire satire What We Do in the Shadows, written and directed by Jemaine Clement and Taika Waititi, and their subsequent FX TV series based on the film. If you are fans of those, you will probably get a kick out of Extra Ordinary (2019), a paranormal comedy from Ireland that is almost as witty, twisted and silly as anything the Clement-Waititi team can conjure up. Continue reading →
For the early settlers of this country, the New World offered freedom as well as the unknown. This was certainly true of the first colonists who had no idea what awaited them on these strange, new shores. The story of The Lost Colony, a settlement on Roanoke Island that was sponsored by Sir Walter Raleigh, was one of those childhood history lessons that stuck in my mind as a creepy unsolved mystery. Sometime between the years of 1585 and 1587, numerous attempts were made to establish a permanent base for English immigrants in the Virginia territory. Then supplies for the Roanoke community were cut off for three years during the Anglo-Spanish War so when John White, whose daughter and granddaughter were among the colonists, was able to return from England with aid, he found the settlement deserted with no trace of the people, only the cryptic word “Croatoan” carved into a tree. Much speculation but no evidence has emerged over the fate of The Lost Colony. Some say sickness and starvation killed them off, others say they were captured and assimilated into the local native tribes, either the Croatan or Hatteras. A few historians theorized that the survivors attempted to return to England and were lost at sea. There was also a theory that cannibalism may have decimated their ranks as it did the infamous Donner party. Which brings me to Eyes of Fire (aka Cry Blue Sky), a little known, independent film from 1983 that has obvious connections to The Lost Colony in its tale of a band of settlers driven from their community and forced to find shelter in the wilderness. There they find themselves at the mercy of hostile tribal groups, the elements and….something much more insidious.
Yasmine Dahm plays Sophie, a young girl who sets off a chain of poltergeist activity in Au Rendez-Vous de la Mort Joyeuse (1973, aka Expulsion of the Devil).
Although Luis Bunuel never made a straight up horror film in the traditional sense, many of his movies contained elements of the horrific and the fantastical such as the “mother meat” nightmare sequence in Los Olvidados (1950), the severed, crawling hand in The Exterminating Angel (1962) or the Devil in his many disguises in the 45 minute allegory, Simon of the Desert (1965). However, Juan Luis Bunuel, the director’s son, launched his feature film career with an audacious and unsettling journey into the paranormal – Au Rendez-Vous de la Mort Joyeuse (1973, aka Expulsion of the Devil) which must have made his father proud as it was brimming with the sort of anarchic disregard for the conventional and corruption of the innocent that distinguishes the master’s best films. It’s also creepy as hell. Continue reading →