Sun Tribe Redux

The Japanese film poster for SEASON IN THE SUN (1956) aka Taiyo no Kisetsu.

When Ishihara Shintaro died on February 1, 2022 at age 89, most obituaries focused on his career as a politician in Japan. He first served as a member of the House of Councillors (1968 to 1972) and then as a member of the House of Representatives (1972-1995) before becoming the Governor of Tokyo from 1999 to 2012. A controversial figure in his own country, Shintaro was famous for his ultra-nationalist stance on Japan and extreme right-wing views such as discriminating against Japanese-Koreans, the disabled, women, LGBT and other social minorities. He is now considered an early proponent of “hate speech” and often denied historical accounts of atrocities committed by the Japanese against the Chinese in the infamous Nanjing Massacre of 1937, which in Japan is the same as being a Holocaust denier. What is most surprising about Shintaro, however, is his earlier career as an author and highly successful screenwriter for movie studios like Nikkatsu, Daiei and Shochiku. His critically acclaimed first novella, Taiyo no Kisetsu (English title: Season of the Sun), was published in 1955 and he adapted it into a film for director Takumi Furukawa. It became a box office sensation and inspired several successors in a film movement that became known as the “Sun Tribe” (aka Taiyozoku) movies.

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The Sociopath’s Playbook

The Japanese film poster for THE BEAST SHALL DIE (1959), directed by Eizo Sugawa.

According to the Oxford Dictionary, a sociopath is a person who has a personality disorder which causes them to behave in an aggressive, violent or unpleasant way towards other people. The general opinion among psychiatrists is that sociopaths are not born that way, which is usually the case with psychopaths. Instead, sociopaths are shaped by their environment and experiences. A classic example of this is profiled in Eizo Sugawa’s Yaju Shisubeshi (English title: The Beast Shall Die). The protagonist of this 1959 psychological thriller is Date Kunihiko (Tatsuya Nakadai), a quiet, well-mannered graduate student who is exceptionally gifted as a writer and athlete. Behind his benign façade, however, is a cunning sociopath with a plan that slowly reveals itself as the film unfolds. As portrayed by Nakadai, Date is a truly chilling figure and one of his least known but most potent early performances. It deserves to be included with his more celebrated work in such Japanese masterpieces as Masaki Kobayashi’s The Human Condition (1959-1961), Kihachi Okamoto’s The Sword of Doom (1966) and numerous collaborations with Akira Kurosawa such as Sanjuro (1962), High and Low (1963) and Kagemusha (1980).

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