Life in a Turkish Prison

In 1977 Billy Hayes, with the assistance of William Hoffer, wrote a best-selling account of his arrest and imprisonment in a Turkish prison entitled Midnight Express. Hayes, an American student on vacation in Turkey, had been apprehended at the Istanbul Airport on October 6, 1970, trying to smuggle 2.2 kilos of hashish out of the country (it was concealed under his clothes and taped to his body). He was sentenced to four years and two months for possession but in 1974, the Turkish High Court in Ankara overturned his original sentence, found him guilty of smuggling and sentenced him to serve an additional 30 years. Hayes’s 1977 account of the brutal prison conditions he endured with his fellow inmates and his eventual escape to Greece in 1975 was a riveting cautionary tale for its era. Not surprisingly, Hollywood came calling and Columbia Pictures eventually acquired the film rights, releasing the big screen adaptation of Midnight Express in October 1978.

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Who Has the Last Laugh?

By 1978 Burt Reynolds was approaching the peak of his popularity which would begin to taper off in the mid-eighties as he approached the age of 50. He had just completed two huge box office hits, Smokey and the Bandit and Semi-Tough (both 1977) and was in a position to choose and develop any project he fancied. But instead of rushing into a sequel to Smokey and the Bandit or some other big budget vehicle that exploited his good ole boy blend of machismo, charm and sex appeal, Reynolds chose to make a risky, offbeat black comedy about a man dying of a terminal condition who contemplates suicide as a solution to a slow, agonizing death. In addition, the popular leading man would direct and star in it and cast his girlfriend at the time Sally Field in a prominent role. Released as The End in 1978, the film was not what moviegoers or critics expected from Reynolds or even wanted. 

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