By 1978 Burt Reynolds was approaching the peak of his popularity which would begin to taper off in the mid-eighties as he approached the age of 50. He had just completed two huge box office hits, Smokey and the Bandit and Semi-Tough (both 1977) and was in a position to choose and develop any project he fancied. But instead of rushing into a sequel to Smokey and the Bandit or some other big budget vehicle that exploited his good ole boy blend of machismo, charm and sex appeal, Reynolds chose to make a risky, offbeat black comedy about a man dying of a terminal condition who contemplates suicide as a solution to a slow, agonizing death. In addition, the popular leading man would direct and star in it and cast his girlfriend at the time Sally Field in a prominent role. Released as The End in 1978, the film was not what moviegoers or critics expected from Reynolds or even wanted.Continue reading
Throughout most of the 19th century in America, astrology was considered an occult science embraced by a small but growing number of converts. It wasn’t until the mid-1920s that an interest in astrological signs and horoscopes crossed over from a cult phenomenon to more popular acceptance on a national scale. This was partially due to the success of The Bowl of Heaven (1924), an autobiography of famous astrologer Evangeline Adams and the influential periodical American Astrology, which began publishing in 1923. It was only a matter of time until Hollywood would capitalize on the movement’s popularity by using it as a plot device in Thirteen Women (1932), one of Myrna Loy’s least known and most peculiar roles.