Is there anybody meaner than Lawrence Tierney on the screen? Sure, James Cagney was a bad-ass, shoving a grapefruit into Mae Clarke’s face in The Public Enemy or knocking Virginia Mayo off a chair in White Heat. And Bogart could be equally cold-blooded in films like The Petrified Forest and The Treasure of the Sierra Madre. But Tierney is like a rabid dog in comparison, sparing no one, not even himself, from violent death, and The Devil Thumbs a Ride (1947) is a perfect example of his menacing screen persona.
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Defiantly Abnormal

(from left to right) Paul L. Smith, David Carradine, unidentified child actor, Brad Dourif) in Sonny Boy
Occasionally a movie comes along that is so unclassifiable and non-mainstream that you have to wonder who the filmmakers were targeting as their intended audience. Sonny Boy (1989), directed by the virtually unknown Robert Martin Carroll, is a remarkable example of this quandary. Is it an exploitation movie with art-film aspirations? The casting alone – David Carradine, Brad Dourif, Paul L. Smith, Sydney Lassick and Conrad Janis – has built-in cult appeal but the highly eccentric storyline and grotesque characters are completely polarizing. Either you’ll tune out immediately or watch in fascination and disbelief. It is hard to imagine an indifferent viewer. Continue reading
