Movies about boxers often seem to break down into four categories; the most popular are the ones where the underdog fighter overcomes all odds to become a champion (Rocky [1976], Million Dollar Baby [2004], Cinderella Man [2005]). Then there are true-life biopics like Somebody Up There Likes Me (1956), Raging Bull (1980) and Ali (2001), downbeat character portraits of boxers past their prime (Requiem for a Heavyweight [1962], Fat City [1972]) and noir dramas that highlight the corrupt aspects of the profession like The Set-Up (1949) or The Harder They Fall (1956). Bokusa (English title: The Boxer (1977), a Japanese film directed by Shuji Terayama, has elements of some of the above but it is decidedly different from any American film in the boxing genre.
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The Girl with the Fishing Spear

In 1984 ATG (Art Theater Guild), one of the most experimental and artistic of Japan’s film distribution companies, and Directors Company, released Ningyo Densetsu, directed by Toshiharu Ikeda. ATG had already established itself as a cutting-edge visionary with such releases as Toshio Matsumoto’s Funeral Parade of Roses (1969), Shuji Terayama’s Pastoral: Hide and Seek (1974) and Seijun Suzuki’s Zigeunerweisen (1980). Ningyo Densetsu was something altogether different – a commercially viable fusion of murder mystery, white collar crime and revenge thriller which looked more mainstream than most of ATG’s previous releases. Also known as Mermaid Legend, the movie is also much more extreme than some of the most infamous exploitation films of its era yet it is distinguished by its artistry in all areas of production. But make no mistake, this is not family-friendly fare or recommended for fans of The Little Mermaid.
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