It’s hard to imagine what moviegoers today would make of Kay Kyser and his Kollege of Musical Knowledge, but during the late thirties and early forties the big band conductor was one of the most popular entertainers in America. Thanks to the medium of radio (which was at the height of its popularity during the WWII era), Kyser built up a huge fan base through his novelty act, a winning combination of music, humor and “kollege brainbuster questions” with a cash prize for the winner. Sporting wire-rim glasses, mortarboard and academic gown, Kyser created an eccentric bookworm persona for himself and surrounded himself with equally outlandish “colleagues,” one of the more famous being Ish Kabibble (the alter ego of musician M.A. Bogue). It was only a matter of time before Kyser took his act to Hollywood and, in 1939, RKO produced his first film, That’s Right, You’re Wrong. Its success led to a more ambitious second feature, You’ll Find Out (1940), which paired the bandleader with the triple threat team of Boris Karloff, Bela Lugosi and Peter Lorre.
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Roll the Credits
In their increasing eagerness to capture a wider viewing audience for their annual awards ceremony, you would think the Academy of Motion Picture Arts & Sciences would create a few more categories that could generate some genuine interest with the average moviegoer. How about Best Title Credits? It’s an art form in its own right. Graphic designer Saul Bass certainly proved that years ago with his innovative opens for the films of Otto Preminger (Carmen Jones, The Man With the Golden Arm, Saint Joan, Bonjour Tristesse, Anatomy of a Murder, Advise and Consent, Exodus, The Cardinal and several more) and Alfred Hitchcock (Vertigo, North by Northwest, Psycho). Other title designers you might recognize are Stephen Frankfurt (To Kill a Mockingbird, Rosemary’s Baby), Pablo Ferro (Dr. Strangelove, Being There) and Maurice Binder (Dr. No, Charade). Even before them, opening title credits were a key component of the film, often setting the tone and even encapsulating the movie’s theme or storyline into a compact visual nugget.
Continue readingThe American Dream Gone Wrong

Films about the immigrant experience in the United States often run the gamut from comedy (Coming to America, Moscow on the Hudson) to historical depictions (Hester Street, The New Land) to autobiographical dramas (Elia Kazan’s America, America) and even horror films such as Netflix’s 2021 thriller, No One Gets Out Alive. Still, one of my favorite movies about a foreigner’s adventures on these shores is The Face Behind the Mask (1941), which stars Peter Lorre as an Eastern European refugee looking to start a new life in New York City.
Continue readingA Concert Pianist’s Worst Nightmare

What is the worst thing that could happen to a celebrated world class pianist? It would have to be something that destroyed his famous hands, wouldn’t it? The Hands of Orlac, based on a novel by Maurice Renard, has been adapted for the screen numerous times but the 1924 version by German director Robert Wiene remains a masterpiece of silent horror cinema.
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