May the Kirlian Force Be With You!

You may have heard of the term Kirlian. It is usually associated with photography and refers to a process where an image is created by applying a high-frequency electric field to a living object. The result captures a pattern of luminescence which is recorded on photographic film and represents a life force or energy field surrounding the living object. The concept has never been embraced by the scientific community but became popular in parapsychology and paranormal research in the mid-fifties. It even inspired a low-budget indie art house mystery called The Kirlian Witness (1978), directed by Jonathan Sarno, about a murder that is solved by a houseplant that witnessed the crime. Yet, even before this obscure, rarely seen feature, the concept of Kirlian energy provided an explanation for the behavior of the insane protagonist of Psychic Killer (1975 aka The Kirlian Force aka The Kirlian Effect), a trashy but consistently entertaining horror thriller featuring a cast of familiar Hollywood character actors and Jim Hutton as the unlikely title character in his final theatrical feature. If you’re looking for an offbeat, non-traditional horror movie for your Halloween viewing, this is a good choice.

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Movie Title Hall of Fame: The Sublime, the Weird and the Ridiculous

There are certain movie titles that make you pause and consider the mystery, allure or absurdity of their meaning. They can promise so much and deliver so little like Billy the Kid vs. Dracula (1966) or She Gods of Tiger Reef (1958). Or they can overdeliver on their promise to an astonished but grateful audience as in Russ Meyer’s infamous Faster, Pussycat! Kill! Kill! (1965). They can also mislead and confound you with wording so vague or fanciful that you have no earthly idea what it’s about as in Lord Love a Duck (1966), The Day the Fish Came Out (1967), or All the Fine Young Cannibals (1960), which inspired the name of the Brit pop trio that had a hit with “She Drives Me Crazy.” Then there are those completely frank and unambiguous titles that reveal the pure essence of the film in a no-nonsense manner – Teenagers from Outer Space (1959) and I Was a Male War Bride (1940). Or titles that are so much fun to say that you simply love saying them out loud just to hear the sound of them rolling off your tongue like Rat Pfink a Boo Boo (1966) or Puddin’ Head (1941).

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The Secret Cinema Experiment (Feb. 1980 – Dec. 1981, Athens, Ga.)

Secret Cinema program Oct. 1980Have you ever had a fantasy about running and programming your own repertory cinema? Any self-proclaimed film buff probably has and for me it became a slowly emerging fantasy from the time I was seven or older. Unlike those kids who wanted to be firemen, astronauts, professional athletes or other revered professions, I pictured myself as a movie theater owner who could show what I wanted and print availability or attendance was never a concern. While this fantasy faded over the years as I became aware of the realities and headaches of film distribution and theater management, the love of programming movies always stayed with me and for a brief period (Feb. 1980 – Dec. 1981), I ran an invitation only film series out of my home in Athens, Ga. on Pulaski Street that I called Secret Cinema. Continue reading