Dance of the Possessed

The Taiwan film poster for SPLIT OF THE SPIRIT (1987)

Remember the 1984 comedy All of Me, directed by Carl Reiner? In that film, Lily Tomlin plays a dying heiress who plans to have her soul transferred into the body of a younger woman but something goes wrong in the process and she ends up inhabiting the body of an attorney (Steve Martin). Imagine a horror fantasy variation of that premise and you have Li Gui Chan Shen (English title: Split of the Spirit, 1987), a Taiwanese film from director Fred Tan.

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The Rotten Are Coming for You!

For my annual Halloween horror pick, I am highlighting a contemporary film, one that is currently playing in theaters, and not a horror classic from the past. Cuando Acecha la Maldad (U.S. title, When Evil Lurks, 2023) is the sixth feature film for Argentine director Demian Rugna, which includes his 2011 movie Malditos Sean! (U.S. title, Cursed Bastards), co-written and directed with Fabian Forte. This is a movie about demonic possession but it has little in common with the most famous film in that horror subgenre, The Exorcist (1973), with one exception: we never learn how or why the evil entity goes about choosing the victim that launches the ensuring madness. The nightmare starts with a bang – literally – as two farmer brothers Pedro (Ezequiel Rodriguez) and Jimi (Demian Salomon) hear gunshots on their neighbor’s property. When they investigate the following day, they discover that a member of their neighbor’s family is a “rotten,” a possessed being, and no one knows how to deal with it. When the brothers ask wealthy landowner Ruiz (Luis Ziembrowski) and his pregnant wife for help, they inadvertently set in motion a series of actions that not only release the evil spirit but help it spread like a virus.  

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A Paranormal Puberty

Yasmine Dahm plays Sophie, a young girl who sets off a chain of poltergeist activity in Au Rendez-Vous de la Mort Joyeuse (1973, aka Expulsion of the Devil).

Although Luis Bunuel never made a straight up horror film in the traditional sense, many of his movies contained elements of the horrific and the fantastical such as the “mother meat” nightmare sequence in Los Olvidados (1950), the severed, crawling hand in The Exterminating Angel (1962) or the Devil in his many disguises in the 45 minute allegory, Simon of the Desert (1965). However, Juan Luis Bunuel, the director’s son, launched his feature film career with an audacious and unsettling journey into the paranormal – Au Rendez-Vous de la Mort Joyeuse (1973, aka Expulsion of the Devil) which must have made his father proud as it was brimming with the sort of anarchic disregard for the conventional and corruption of the innocent that distinguishes the master’s best films. It’s also creepy as hell.      Continue reading