Fotoromanzi Fantasy

“With Paisan, I knew that I wanted to be a film director. I thought maybe this was where my future was, not as a journalist. It was with The White Sheik that I knew I was a film director.” – Federico Fellini (from I, Fellini by Charlotte Chandler)

In The White Sheik (Italian title: Lo Sceicco Bianco, 1952), Fellini’s first solo directorial effort (he co-directed Variety Lights with Alberto Lattuada the previous year) he drew upon his experiences as a journalist and script writer to tell a bittersweet story about a provincial newlywed couple vacationing in Rome for their honeymoon. Wanda (Brunella Bovo), the young bride, is a naive romantic, prone to impulsive behavior and passionate fantasies. She is also an avid fan of fotoromanzi (a comic book with photo captions instead of cartoon drawings) and is secretly infatuated with “The White Sheik,” the hero of her favorite series.

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Christmas Lockdown in the Eternal City

An alternate release poster for the Roberto Rossellini film ERA NOTTE A ROMA (1960)

Available for years in inferior public domain prints and poor video transfers, Robert Rossellini’s influential WW2 trilogy [Rome Open City (1945), Paisan (1946) and German Year Zero (1949)], which firmly established him as the “father of Neorealism”, finally received 4K high-definition digital transfers from The Criterion Collection in 2017. Linked thematically to this trilogy, however, is a later Rossellini film, Era Notte a Roma [English title, Escape by Night aka Blackout in Rome,1960), which, unfortunately, has never enjoyed the reputation or respect of this seminal trilogy. I first saw a 16mm print of the film from Films Inc. years ago when it still licensed titles from The Audio Brandon Collection. I had a chance to revisit Era Notte a Roma again recently on DVD and am still baffled by the movie’s low profile since its original release.

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