Was high school the most emotionally turbulent rite of passage every teenager had to endure? For some, like French director Olivier Assayas, it was a period of time that helped transform him into the person he is today. Those years provided the raw material to create a deeply personal cinematic experience that was not just an artistic triumph in France but earned the director international attention and acclaim. L’eau Froide (English title: Cold Water, 1994) was Assayas’s fifth feature film but he credits it with being the movie that marks his first real breakthrough as a director. The story of Gilles (Cyprien Fouquet), a troubled student from an upper-class family, and his on-again, off-again infatuation with Christine (Virginie Ledoyen), a rebellious sixteen-year-old from a divorced working-class couple, is semi-autobiographical in nature with some incidents taken directly from the director’s life. Assayas would later state, “Cinema has the capacity for making you experience moments, emotion in your life and looking back on it I have the strange feeling that this movie belongs to the seventies.”
Continue readingTag Archives: Bob Dylan
The Rashomon Moment: Bob Dylan at the 1965 Newport Folk Festival

In the winter of 2007 moviegoers were given a choice to see numerous impersonations of the artist known as Bob Dylan in a semi-experimental biopic or experience the living legend in concert at the Newport Folk Festival circa 1963. The former was Todd Haynes’s I’m Not There featuring several faux-Dylans portrayed by Heath Ledger, Christian Bale, Cate Blanchett, Richard Gere and others in a dramatic attempt to capture the many phases and contradictions in the musician’s life. The latter was Murray Lerner’s riveting time capsule, The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival, 1963-1965. The strange thing is that Lerner’s documentary featuring the real deal vanished after a brief theatrical run while Haynes’s film continues to enjoy wide exposure thanks to its release on DVD. I don’t know if this meant that the younger movie-going audience is more interested in popular actors playing Bob Dylan or that they have little interest in the sixties folk music scene that Dylan revitalized with his spectacular entry into it.
Continue readingThe Revolution WILL Be Televised
What would drive a peaceful, non-violent student protester to become a bomb maker in a subversive political organization? What ideology would cause an Ivy League college graduate to sever all contact with their family and friends and go into hiding for years, hunted by the FBI? What convinces someone that the U.S. government is their enemy and to fight them by any means necessary? These are some of the questions which are raised and answered by two fascinating documentaries on the same subject – Sam Green and Bill Siegel’s The Weather Underground (2002), which was nominated for an Oscar for Best Documentary Feature, and Emile de Antonio’s infamous Underground (1976). Continue reading
The Streetwise Anthropologist
The name Garry Winogrand might not be familiar to you but you have probably seen some of his most famous photographs over the years. There are his candid celebrity shots that include a young John F. Kennedy amid attendees at the Democratic National Convention in Los Angeles circa 1960 and Marilyn Monroe on the set of Billy Wilder’s The Seven Year Itch (1955) as she stands over a subway grate, her skirt billowing around her. More typical are his street scenes and public places portraits such as the one of a young couple frolicking in the surf at Coney Island or the acrobat caught in mid-air above the sidewalk. All of these and many more are included in a deep dive of his four-decade archive in Sasha Waters Freyer’s engrossing documentary, Garry Winogrand: All Things Are Photographable. Continue reading
Leonard Cohen’s 1972 Concert Tour
“If your life is burning well, poetry is just the ash.” – Leonard Cohen
Missing in action since it was first filmed by Tony Palmer in 1972, Bird on a Wire, a documentary account of Leonard Cohen’s European tour, finally surfaced on DVD in 2010 after being painstakenly restored frame by frame by the director who described the long, complicated history on the extra audio features. It’s a shame the film didn’t garner more attention upon its DVD debut but for Cohen fans, the documentary is essential viewing and just as candid, raw and intimate as D.A. Pennebaker’s remarkable Bob Dylan portrait, Don’t Look Back (1967), which covered that singer/songwriter’s tour of England in 1965. Continue reading
…And Bob Dylan Plays a Chainsaw-Wielding Conceptual Artist.
Sometimes the casting in a film is so peculiar and unique that you feel compelled to take a chance on it no matter how many negative things you’ve heard about it. Wouldn’t you want to see a movie that featured Jodie Foster, Vincent Price, Joe Pesci, Charlie Sheen, Dean Stockwell, Bob Dylan and numerous other well-known stars? Such is the case with 1990’s Catchfire, one of Dennis Hopper’s least known movies but there’s a reason for that. Continue reading

