Those Men and Women in White

What could be a more ideal setting than a hospital to explore countless dramatic scenarios, character relationships and potentially hot-button topical issues that affect both the public and the medical community? With each decade new variations on the medical drama formula emerge and one of the most successful films in this genre in the early sixties was The Interns (1962).  

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White Boy Elgar

Marge (Pearl Bailey) welcomes Elgar (Beau Bridges), her new landlord, to the neighborhood in Hal Ashby’s debut feature, The Landlord (1970).

In the early seventies Hollywood studio executives began to realize there was a huge untapped market for films dealing with African-Americans, a situation made obvious by the unexpected success of Cotton Comes to Harlem (1970), an action comedy based on the Chester Himes novel about two black cops, Coffin Ed Johnson (Raymond St. Jacques) and Gravedigger Jones (Godfrey Cambridge). In the ensuing rush to capture this previously ignored audience, the “blaxploitation” film was born, but the majority of these films were urban crime thrillers like Shaft (1971) and Superfly (1972). Films which attempted to explore racial issues or feature complicated black and white relationships were a rarity but one unique exception was The Landlord (1970), which was virtually ignored by the public when it opened.

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