Tag Archives: Alan K Rode

Edward G. Robinson is Wolf Larsen

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Edward G. Robinson on the set of THE SEA WOLF (1941), in which he plays the maniacal captain Wolf Larsen from the Jack London novel.

Among the many tales about ill-fated ocean voyages, obsessive and tyrannical sea captains are usually at the root of the trouble. Some of the more memorable ones include Captain Ahab in Moby Dick, Captain Bligh in Mutiny on the Bounty, and Captain Queeg in The Caine Mutiny. But none of these misguided authority figures can match the sadism and brutality of Wolf Larsen, the megalomaniac captain of Jack London’s novel, The Sea Wolf, who was famously portrayed by Edward G. Robinson in a 1941 Warner Bros. production directed by Michael Curtiz.

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The American Dream Gone Wrong

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Hungarian immigrant Janos Szabo (Peter Lorre) contemplates what his life might have been like if he hadn’t been the victim of unfortunate circumstances in THE FACE BEHIND THE MASK (1941).

Films about the immigrant experience in the United States often run the gamut from comedy (Coming to America, Moscow on the Hudson) to historical depictions (Hester Street, The New Land) to autobiographical dramas (Elia Kazan’s America, America) and even horror films such as Netflix’s 2021 thriller, No One Gets Out Alive. Still, one of my favorite movies about a foreigner’s adventures on these shores is The Face Behind the Mask (1941), which stars Peter Lorre as an Eastern European refugee looking to start a new life in New York City.

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Down the Noir Highway

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What could make a reputable insurance instigator go bad? A beautiful woman? Lots of loot? A sense of empowerment? For Joe Peters (Charles McGraw), it’s all of these things but it’s definitely a femme fatale named Diane (Joan Dixon) who first ignites the copper’s lust and then his greed. Roadblock (1951) is a cleverly plotted, terse little film noir that has more twists and hairpin turns than a winding mountain road. What makes it stand out from other low-budget noirs produced at RKO is Charles McGraw’s compelling performance as an easily seduced sucker unlike his usual tough guy roles and Joan Dixon’s sultry presence.  Continue reading →