When fans of classic films from Hollywood’s golden era exclaim “They don’t make ‘em like they used to,” they are usually referring to the kind of lavish, big-budget, audience-pleasing entertainments that were the specialty of Cecil B. DeMille during the silent and sound eras. Often derided by some critics as being corny and bombastic with an exploitable mix of sex, violence and quasi-religious elements, his most popular films were always in sync with what audiences wanted from a movie during his 45-year reign as a major Hollywood director/producer. Three of DeMille’s biblical epics, The Ten Commandments (1923), The King of Kings (1927), and Samson and Delilah (1949), along with Reap the Wild Wind (1942) are still considered some of the biggest box office hits in the history of Hollywood. The latter film, in particular, is an excellent example of his larger-than-life approach to storytelling mixing rival sea captains, a hurricane, and a giant red squid into a torrid romantic saga based on Thelma Strabel’s best selling novel.