If you are a post-WW2 baby boomer, you are probably familiar with the term ‘the Red Scare,’ which refers to a time in the late forties-early fifties when anti-communist sentiment in the U.S. was at its height (The “red” refers to the color of the Soviet flag). This Cold War era paranoia was not just reflected in American politics and daily news stories but he popular culture as well, especially movies. Some of the more famous examples are the Howard Hughes’ produced noir I Married a Communist (1949 aka The Woman on Pier 13), the 1951 tabloid-style expose I Was a Communist for the F.B.I. and John Wayne as an undercover commie hunter in Big Jim McLain (1952). Yet, of all the cinematic depictions of Communist infiltration in America, few are as blatant or as infamous as My Son John (1952), which was released when the House Committee on Un-American Activities (HUAC) was at the height of its power and Senator Joseph McCarthy was still fanning the flames of a political witch hunt that had already taken its toll on the entertainment industry.
Often overlooked in the Spaghetti Western hall of fame, The Ruthless Four (1968) is a riveting, well-crafted tale of a ill-fated search for hidden gold that bears some thematic similarities to The Treasure of the Sierra Madre. While it is not quite in the same league as John Huston’s 1948 classic, the cast alone should still pique the interest of any film buff starting with the top-billed Van Heflin and Gilbert Roland, two Hollywood legends with some classic Westerns to their credit; Heflin with Shane (1953) and 3:10 to Yuma (1957) and Roland with his series of “Cisco Kid” oaters that began with The Gay Cavalier in 1946. The curiosity factor is also undeniable with the eclectic casting of Uruguay-born actor George Hilton, a veteran of countless giallos and Euro-westerns, and the inimitable Klaus Kinski, who has a substantial role here unlike many of his genre efforts where his appearance is often little more than a cameo or brief walk-on. Continue reading