Fotoromanzi Fantasy

“With Paisan, I knew that I wanted to be a film director. I thought maybe this was where my future was, not as a journalist. It was with The White Sheik that I knew I was a film director.” – Federico Fellini (from I, Fellini by Charlotte Chandler)

In The White Sheik (Italian title: Lo Sceicco Bianco, 1952), Fellini’s first solo directorial effort (he co-directed Variety Lights with Alberto Lattuada the previous year) he drew upon his experiences as a journalist and script writer to tell a bittersweet story about a provincial newlywed couple vacationing in Rome for their honeymoon. Wanda (Brunella Bovo), the young bride, is a naive romantic, prone to impulsive behavior and passionate fantasies. She is also an avid fan of fotoromanzi (a comic book with photo captions instead of cartoon drawings) and is secretly infatuated with “The White Sheik,” the hero of her favorite series.

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Martyrdom, Italian Style

Ingrid Bergman in Europe ’51 (1952), directed by Roberto Rossellini.

The second film collaboration between Ingrid Bergman and Roberto Rossellini, Europe ’51 (1952) might be the most overlooked and misunderstood feature of the famous director-actress team during their turbulent and controversial relationship. Between 1950 and 1955, the couple made five features together and one episode for the five chapter compilation film, We, the Women (1953). Although most film critics seem to regard 1954’s Journey to Italy as their peak achievement, Europe ’51 (aka Europa ’51) received a second chance at reappraisal in September 2013, thanks to The Criterion Collection, which released the film on Blu-Ray and DVD in a set with Stromboli (the first Bergman-Rossellini film from 1950) and Journey to Italy (aka Viaggio in Italia, 1953) .     Continue reading