It is not a surprise that novelist/journalist Jack London was the most popular writer of the early 20th century and he enjoyed an international readership, especially in Japan, Eastern Europe and Russia. In fact, one of the landmark films of early Soviet cinema is By the Law (Russian title: Po Zakonu, 1926), based on London’s short story The Unexpected, and directed by Lev Kuleshov, a former painter turned set designer who eventually became a film theorist and director who launched the montage movement of the 1920s (Sergei Eisenstein [The Battleship Potemkin, 1925] was one of his students).
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All of Them Witches

Lisbeth Movin stars as Anne Pedersdotter, a young widow accused of witchcraft in Carl Theodor Dreyer’s Day of Wrath (1943).
When social order breaks down, rational thought or common sense do not always follow. The result could be the kind of mass paranoia and hysteria that created the persecution of people as witches in Europe during the 13th to 15th century as well as in America (the Salem Witchcraft Trials of 1692). That shameful chapter in history has been the subject of numerous books and literary works such as Arthur Miller’s 1953 play The Crucible. As for the cinema, most movie critics seem to agree that the finest film to ever address this kind of aberrant phenomenon is Carl Theodore Dreyer’s Vredens dag (1943, English title: Day of Wrath). Continue reading
