Safe Harbor

When did the immigrant situation become an international crisis? Anyone who follows the news knows that immigration has been on the rise for the last 20 years or more but, beginning in 2020, the number of fleeing people seeking asylum in Europe, the U.S. and other more affluent countries has tripled and is reaching catastrophic proportions. This situation was addressed in a small but personal way back in 2011 by the great Finnish auteur Aki Kaurismaki in his film Le Havre. Instead of trying to tackle the whole immigration problem, Kaurismaki uses it as the background for a story about Idrissa (Blondin Miguel), a young African immigrant, and how his plight spurs a working-class French community to protect and aid him during his journey.

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The Dirty Little Coward Roadshow

After recently rewatching I Shot Jesse James on DVD from Criterion’s Eclipse label, I couldn’t get a certain scene out of my head. As you may know, this 1949 film is Samuel Fuller’s directorial debut about Robert Ford, the “dirty little coward” who assassinated the frontier legend in 1882 and the scene that pops out occurs not long after Jesse (played by Reed Hadley) is dead and buried. Ford (John Ireland) begins performing re-enactments of the event on stages for money as he travels around capitalizing on his notoriety. At first, I thought this was just a fantasy from Fuller’s fevered, pulp fiction imagination but after doing some research it appears to be true. Robert Ford really did take his act on the road, billing it as “Outlaws of Missouri,” and, night after night before paying audiences, he would act out that fateful day when he shot Jesse James. 

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