Smells Like Teen Spirit

The French film poster for COLD WATER (1994)

Was high school the most emotionally turbulent rite of passage every teenager had to endure? For some, like French director Olivier Assayas, it was a period of time that helped transform him into the person he is today. Those years provided the raw material to create a deeply personal cinematic experience that was not just an artistic triumph in France but earned the director international attention and acclaim. L’eau Froide (English title: Cold Water, 1994) was Assayas’s fifth feature film but he credits it with being the movie that marks his first real breakthrough as a director. The story of Gilles (Cyprien Fouquet), a troubled student from an upper-class family, and his on-again, off-again infatuation with Christine (Virginie Ledoyen), a rebellious sixteen-year-old from a divorced working-class couple, is semi-autobiographical in nature with some incidents taken directly from the director’s life. Assayas would later state, “Cinema has the capacity for making you experience moments, emotion in your life and looking back on it I have the strange feeling that this movie belongs to the seventies.”

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Introducing The Ramones

There was a time in the 1970s when film distributors were able to test-market their more offbeat offerings as “Midnight Movies” for adventurous moviegoers. Sometimes these developed into cult phenomenas like El Topo (1971), The Rocky Horror Picture Show (1975), or Eraserhead (1976). Sometimes they failed to find any audience at all like Pelvis (aka All Dressed Up in Rubber with No Place to Go, 1977) or Elevator Girls in Bondage (1972). Arriving at the tail end of the Midnight Movie craze, Rock ‘n’ Roll High School (1979) fell somewhere between these two extremes.

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Ned Kelly Rides Again

In 2011, Justin Kurzel, an Australian director, first attracted attention for his feature film debut, The Smalltown Murders, which was based on the crimes of serial killer John Bunting in South Australia. For his follow-up film, he went to Scotland and made a savage, stylized interpretation of MacBeth (2015) starring Michael Fassbinder, which was nominated for the Palme d’Oro at the Cannes Film Festival. Then Kurzel graduated to the major leagues for Assassin’s Creed (2016), a big budget fantasy adventure filmed in Malta, Spain and the UK and based on the popular video game series. The critics savaged it, moviegoers were indifferent, and it was considered one of the biggest bombs of 2016. After that, Kurzel returned to his homeland and decided to focus on a folk hero who is still a polarizing figure in his country’s history – Ned Kelly. The subsequent film, True History of the Kelly Gang (2019), is a visually dynamic and emotionally chaotic biopic which might be the most unusual interpretation yet of Australia’s infamous outlaw.   Continue reading