Shifting Sands

In the Spring of 1974, French archeologist Francoise Claustre along with a young aide and a German doctor and his wife were captured by rebel forces in Chad, Africa while exploring pre-Islamic tombs. The doctor’s wife was killed during the attack but her husband was quickly released after West German officials paid his ransom. The aide later escaped but Claustre remained a hostage of the Maoist rebel leader Hissene Habre and his clan for 33 months. During that time, her husband Pierre, a French official, tried to bargain with the rebels when his government proved inept at handling the situation but he too ended up being captured and held in a different camp in Chad. Renowned photojournalist and documentary filmmaker Raymond Depardon was allowed to interview Francoise during her ordeal for his non-fiction shorts, Tchad 2: L’ultimatum (1975) and Tchad 3 (1976), which were broadcast on French TV and provoked a major public outcry over the entire situation. Finally in January 1977 Libyan leader Muammar Gaddafi brokered a deal with the Chad rebels and the French couple was released and returned to Paris. Interestingly enough, Depardon would return to this subject again in 1990 with La Captive du Desert (Captive of the Desert), a fictionalized account of the Claustre affair which remains one of his few forays into feature film making.

French hostage Francoise Claustre being held prisoner by Chad rebels in 1974.
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A Filmmaker in Self-Imposed Exile

In the mid-1970s tourists were being warned by a concerned group of local citizens in New York City to steer clear of the Big Apple via a pamphlet campaign. Crime had risen dramatically since the late sixties, the city was reeling from a number of political and economic crises including a mass garbage workers’ strike, and unemployment was at an all time high, driving many residents to leave for the suburbs. The media began to refer to Manhattan as “Fear City” and actress Shirley MacLaine was quoted as saying NYC was “the Karen Quinlan of cities” (a reference to the teenager who lapsed into a coma in 1975 and lived in a permanent vegetative state for ten years before dying from pneumonia). It was during this period that Belgium filmmaker Chantal Akerman created one of her most personal and acclaimed films during a 1976 visit. News from Home is an autobiography of sorts and the director was no stranger to the city. She had lived there in 1971 but her movie is not a tourist’s view of the city. It shows us the kind of gritty urban environment that Martin Scorsese immortalized in 1976’s Taxi Driver.

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