The American West as seen through the eyes of a French filmmaker provides a curious and offbeat approach to the genre in Another Man, Another Chance (1977), directed by Claude Lelouch, whose most famous film remains his breakout 1966 art house hit, A Man and a Woman; it also won the Oscar for Best Foreign Language Film. Unlike most Hollywood produced Westerns, Another Man, Another Chance relies less on the traditional attributes of the form and presents instead a slow burn love story shaped by the turbulent events of the 1870s in both Europe and the U.S. Similar to the narrative structure of A Man and a Woman and other Lelouch films such as And Now My Love (1974) in which fate brings together two people over the passage of time, the movie provides parallel narratives in which the story’s two main protagonists eventually emerge and find each other.
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Vagabond Screwballs
Slither (1973) is a film of firsts in many ways. It marked the directorial debut of Howard Zieff, who would go on to become one of the most sought-after comedy directors in Hollywood during the ’70s (Hearts of the West [1975], House Calls [1978], Private Benjamin [1980]). It featured the first screenplay by W. D. Richter who would later pen the 1978 remake of Invasion of the Body Snatchers, the 1979 remake of Dracula, and Brubaker [1980] as well as direct the cult film, The Adventures of Buckaroo Banzai Across the 8th Dimension [1984]. And it was James Caan’s first starring role after his critically acclaimed success in The Godfather [1972] and the beginning of his reign as a Hollywood leading man after struggling to break through in smaller scale movies like Rabbit, Run [1970] and T.R. Baskin [1971]. Continue reading
