Leprechauns, Pookas and Banshees

When you think of the many accomplishments of animation pioneer and studio mogul Walt Disney, producing horror films is not one of them. At the same time, several Walt Disney films have featured horrific moments that made strong impressions and scared children such as the boys-into-donkeys transformation scene in Pinocchio (1940) or the fire-breathing dragon at the climax of Sleeping Beauty (1959). A few Disney productions even flirted with the supernatural and creepy folk tales such as The Legend of Sleepy Hollow (1949) and Dr. Syn (1964) with its title character disguised as a demonic-looking scarecrow who haunts the marshes at night. Nothing, however, can top Darby O’Gill and the Little People (1959) when it comes to merging the ordinary with the fantastic. The film plunges the viewer into a fairytale Ireland where magical and terrifying things occur and some scenes could actually give the kiddies nightmares, making this my favorite Disney live-action film.

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Michael Powell’s Penultimate Film

Peeping Tom, the 1960 psychological thriller about a homicidal cinematographer who uses his camera to capture the death throes of the models he murders, is regarded today as one of director Michael Powell’s masterpieces. At the time of its release, however, it was universally reviled by most critics and brought an abrupt halt to Powell’s career. Some even mistakenly believed it was his last film and even Powell wondered if he’d ever work again. But the celebrated director would go on to helm four more feature films, a made-for-TV production of Bela Bartok’s opera Herzog Blaubarts Burg (aka Bluebeard’s Castle, 1963) and the documentary Return to the Edge of the World (1978). Among his post-Peeping Tom work, Age of Consent (1969), his penultimate feature, is an underrated delight and features Helen Mirren in her first starring role.

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Roman Polanski’s Lost Film

A Day at the Beach DVDThe headline is referencing the past, not the present, for A DAY AT THE BEACH, a film that Roman Polanski scripted and co-produced with his partner Gene Gutowski for their short-lived production company, Cadre Films, in 1969 finally surfaced on DVD in 2007 via Odeon Entertainment’s “The Best of British Collection” series in the U.K. and then in the U.S. in 2008, courtesy of Code Red, which specializes in re-releasing cult and lesser known genre films like Rituals (1977) and Group Marriage (1973).  For more than thirty five years, the film was considered lost after being shelved by Paramount following an unsuccessful limited release in Europe. But a serviceable print was discovered and preserved and any self-professed fan of Polanski’s films will want to check it out if they haven’t already.  It may not be “the lost Roman Polanski masterpiece” that the Code Red DVD cover promises but it is much more than a curiosity piece and quite compelling if you are in the mood for a bitter, bleak and harrowing character study.    Continue reading