The Inscrutable Wanderer

The Japanese film poster for YOKOHAMA BJ BLUES (1981).

BJ is not a typical private detective by anyone’s standards. He doesn’t own a car and walks or jogs everywhere. Nor does he carry a gun (although he might steal one from any thug that threatens him) or play the tough guy in the brutal manner of Mike Hammer (Ralph Meeker in Kiss Me Deadly). In fact, when he is first introduced in Yokohoma BJ Blues, directed by Eiichi Kudo, he seems like some eccentric drifter who occasionally moonlights as a singer in an after-hours club, where he works for tips. But working as a private detective is his main gig and this 1981 feature is certainly one of the most offbeat and low-key detective dramas you will probably ever see and, even for Japanese viewers, it could be an endurance test or a fascinating hybrid. 

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Bring It On

Revenge is a dish best served cold and the recipe is given a distinctly Italian flavor by director Stelvio Massi in The Last Round (Italian title: Il Conto e Chiuso, 1976), a blue collar reworking of Akira Kurosawa’s Yojimbo (1961) for the poliziotteschi genre, which was originally inspired by Dashiell Hammett’s 1929 novel Red Harvest.

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