The Pairans Are Among Us

A promotional still from the Japanese science fiction film Uchujin Tokyo ni Arawaru (1956), which was released in the U.S. in 1963 as WARNING FROM SPACE.

The early 1950s is generally regarded as the time when science fiction truly became a popular and profitable film genre thanks to a number of pioneering efforts from Hollywood such as The Day the Earth Stood Still (1951), The Thing from Another World (1951), The Man from Planet X (1951), It Came from Outer Space (1953) and Invaders from Mars (1954). Other countries quickly followed suit producing their own sci-fi entries but Japan was a latecomer in this regard. It wasn’t until 1956 when Daiei Studios released the first Japanese movie to address the subject of UFOs and extraterrestrials – Uchujin Tokyo ni Arawaru aka Spacemen Appear in Tokyo, directed by Koji Shima. The film was a commercial failure and quickly vanished from cinemas before turning up seven years later on American television screens in an English-dubbed version known as Warning from Space. Unfortunately, this altered version for TV syndication with its pan-and-scan format deviating from the original presentation was intended for juvenile audiences. The original 1956 Japanese version, however, is a fascinating and important genre entry in the development of the science fiction film and deserves to be better known today. (When I refer to Warning from Space throughout the following article, I am talking about the Japanese version).

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The Vampire Moth

The Japanese film poster for Kyuketsu-ga (English title: THE VAMPIRE MOTH, 1956).

There are a number of classic Japanese horror/fantasy films from the fifties and sixties that genre fans in the U.S. have read about but never seen due to their unavailability on DVD or Blu-ray. In recent years a few of these have appeared in domestic release versions such as Nobuo Nakagawa’s 1960 allegorical masterpiece Jigoku (released by The Criterion Collection), in which a hit-and-run driver literally goes to hell, and the director’s 1968 supernatural tale Snake Woman’s Curse (released by Synapse Films). Many of the most famous examples of Japanese fantasy/horror from this period, however, still remain elusive for American viewers unless you own an all-region DVD/Blu-ray player and are willing to purchase import discs from Japan, often with no English subtitles. It is also true that many of these classic genre efforts were directed by Nakagawa who is famous for supernatural chillers as The Ghosts of Kasane Swamp (1957), Black Cat Mansion (1958), and The Ghost of Yotsuya (1959). But I have to admit that one of the director’s creepiest and least seen films is Kyuketsu-ga (English title: The Vampire Moth, 1956), which combines mystery thriller tropes with grotesque horror elements to achieve a delightfully macabre brew.

The Japanese poster for Kaidan Kasane-ga-fuchi (English title: THE GHOSTS OF KASANE SWAMP aka THE DEPTHS, 1957).
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