Who said Hollywood holds the patent on the disaster film genre? There have been numerous contenders from other countries that are fine specimens of the form such as Submersion of Japan aka Tidal Wave (1973) by director Shiro Moritani, Ian Barry’s doomsday thriller The Chain Reaction (1980) from Australia, and Renzo Martinelli’s Vajont – La Diga del Disonore (2001), based on the 1963 flooding of Longarone, Italy after the collapse of the Vajont Dam. One of my favorites, however, is a variation on 1970’s Airport and its sequels entitled Ekipazh (English title: Air Crew, 1980), directed by Aleksandr Mitta. It was made in the Soviet Union during the final decade before it became the Russian Federation. The film, which is equal parts soap opera, suspense thriller and disaster epic, focuses on three pilots and assorted crew members who embark on a flight to rescue survivors from an earthquake in a mountain mining town.
Consider this as a possible scenario. You are on a flight from Lisbon, Portugal to New York City and, in the dead of night over the middle of the Atlantic Ocean, the pilot’s voice on the intercom suddenly jolts you awake with these words, “Can I have your attention please. This is Captain Williams. We’re in an emergency situation. We may have to ditch.” You might be able to ditch your girlfriend, boyfriend or spouse but it’s not so easy to ditch a plane as demonstrated by the principles of Crash Landing (1958).