A Twist of Dickens

With the release of Brief Encounter in 1945, David Lean became the preeminent British director of his generation. But the critical and popular success of that bittersweet postwar romance (it won the Grand Prize at the Cannes Film Festival and garnered three Oscar nominations) was overshadowed by an even greater achievement, his film adaptation of Charles Dickens’s Great Expectations (1946). The latter secured his reputation on an international scale and received five Oscar nominations, winning statuettes for Best Art Direction and Best Cinematography. What to do for an encore? Instead of moving in a new direction, Lean surprised everyone by agreeing to do another Charles Dickens adaptation – a film version of Oliver Twist (1948).

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Pool Days

Sometimes a film comes along that no marketing department can get a handle on and as a result it just gets tossed out there to fend for itself and to find an audience on its own. That was the case with Deep End, made in 1970 but released in 1971 by Paramount Pictures to selected art houses and whatever theaters were willing to book it. I saw the film at the Westhampton Theatre in Richmond, Virginia, which was obviously run by an Anglophile because almost any new British film would play there. Of course, Deep End is only British on the surface. It is set in London but the cast includes British, Germany actors and Polish actors and much of the film was shot in Munich, Germany by Polish director Jerzy Skolimowski.

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