Hucksters, Phonies and Rubberneckers

Nothing Sacred (1937) is a key film in that short-lived genre known as ‘the screwball comedy,” a unique Hollywood creation that flourished between 1933 and 1940. Distinguished by its eccentric characters, irreverent humor, and breakneck pacing, these films usually featured privileged but irresponsible characters running amok against the backdrop of the Great Depression when society was in turmoil. But while the idle rich were mercilessly lampooned in the most popular screwball comedy of the previous year – My Man Godfrey (1936) – the whole human race gets dished in Nothing Sacred, from the newspaper industry to a public that enjoys reading sob stories about someone else’s misfortune.

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Honoring Marie Prevost

Actress Marie Prevost from her early screen career as a Mack Sennett bathing beauty.

I can remember the first time I ever heard of Marie Prevost. It was while I was reading Kenneth Anger’s Hollywood Babylon back in 1975. For a book loaded with salacious and unsubstantiated stories about many famous stars, the tiny entry on this actress was particularly unkind and disturbing. There was a coroner photograph of Prevost (supposedly) lying on her stomach in bed with what looked like abrasions on her skin with the photo caption “Doggie’s Dinner.”

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Carole Lombard: Shady Lady

Prior to her breakout role opposite John Barrymore in the screwball comedy Twentieth Century (1934), Carole Lombard was a struggling young contract player at Paramount Pictures where her talent was often squandered in mediocre projects and B-pictures like It Pays to Advertise (1931), No One Man (1932) and Supernatural (1933). There were exceptions, of course, and one of the better examples is Virtue (1932), which confirms Lombard’s promise as an actress in her pre-stardom years.   Continue reading