Kay Kyser Meets the Three Horror Men

It’s hard to imagine what moviegoers today would make of Kay Kyser and his Kollege of Musical Knowledge, but during the late thirties and early forties the big band conductor was one of the most popular entertainers in America. Thanks to the medium of radio (which was at the height of its popularity during the WWII era), Kyser built up a huge fan base through his novelty act, a winning combination of music, humor and “kollege brainbuster questions” with a cash prize for the winner. Sporting wire-rim glasses, mortarboard and academic gown, Kyser created an eccentric bookworm persona for himself and surrounded himself with equally outlandish “colleagues,” one of the more famous being Ish Kabibble (the alter ego of musician M.A. Bogue). It was only a matter of time before Kyser took his act to Hollywood and, in 1939, RKO produced his first film, That’s Right, You’re Wrong. Its success led to a more ambitious second feature, You’ll Find Out (1940), which paired the bandleader with the triple threat team of Boris Karloff, Bela Lugosi and Peter Lorre.

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Monster Mash

During the 1930’s and early forties, Universal Studios rode the crest of a horror film craze that made them rich and famously established them as the home of Frankenstein, Dracula, the Wolf Man, the Mummy and other screen monsters. But the fear factor was lost over time as their signature creatures were paraded through a series of inferior B-movie sequels. And in the minds of some horror film fans, the genre hit rock bottom with the release of Abbott and Costello Meet Frankenstein in 1948. Once capable of terrifying their audiences, the Universal monsters were now reduced to playing “straight men” to Abbott and Costello’s slapstick antics. Who could ever take them seriously again? Yet, Abbott and Costello Meet Frankenstein is both a first-rate horror-comedy that ranks as one of the comedy team’s finest efforts (and most profitable) and an affectionate homage to the screen horrors who gave us nightmares as kids.  

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There’s No Business like Zombie Business……

Poster - Zombies on Broadway_02In 1941, the unexpected success of Buck Privates – a whopping $10 million dollar B-movie blockbuster – officially launched the comedy team of Abbott and Costello who became Universal Studios’ most profitable film franchise for more than a decade (The duo made their debut in One Night in the Tropics (1940) in supporting roles but the musical comedy with top billed Allan Jones and Nancy Kelly was not a boxoffice hit). Naturally, it inspired other studios to follow suit but it wasn’t as easy as it looked. Case in point – Wally Brown and Alan Carney (no relation to Art Carney), two former nightclub comedians recruited by RKO for a series of low-budget farces beginning with The Adventures of a Rookie (1943), a blatant attempt to ape the formula of Buck Privates. For critics who thought the humor of Abbott and Costello was déclassé, Zombies on Broadway (194) was a further step down but perfect for eight year old boys who enjoyed the simple concept of two nitwits with one (Brown) assuming superiority over his dim bulb pal (Carney).   Continue reading