When you think of the many accomplishments of animation pioneer and studio mogul Walt Disney, producing horror films is not one of them. At the same time, several Walt Disney films have featured horrific moments that made strong impressions and scared children such as the boys-into-donkeys transformation scene in Pinocchio (1940) or the fire-breathing dragon at the climax of Sleeping Beauty (1959). A few Disney productions even flirted with the supernatural and creepy folk tales such as The Legend of Sleepy Hollow (1949) and Dr. Syn (1964) with its title character disguised as a demonic-looking scarecrow who haunts the marshes at night. Nothing, however, can top Darby O’Gill and the Little People (1959) when it comes to merging the ordinary with the fantastic. The film plunges the viewer into a fairytale Ireland where magical and terrifying things occur and some scenes could actually give the kiddies nightmares, making this my favorite Disney live-action film.
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May the Kirlian Force Be With You!
You may have heard of the term Kirlian. It is usually associated with photography and refers to a process where an image is created by applying a high-frequency electric field to a living object. The result captures a pattern of luminescence which is recorded on photographic film and represents a life force or energy field surrounding the living object. The concept has never been embraced by the scientific community but became popular in parapsychology and paranormal research in the mid-fifties. It even inspired a low-budget indie art house mystery called The Kirlian Witness (1978), directed by Jonathan Sarno, about a murder that is solved by a houseplant that witnessed the crime. Yet, even before this obscure, rarely seen feature, the concept of Kirlian energy provided an explanation for the behavior of the insane protagonist of Psychic Killer (1975 aka The Kirlian Force aka The Kirlian Effect), a trashy but consistently entertaining horror thriller featuring a cast of familiar Hollywood character actors and Jim Hutton as the unlikely title character in his final theatrical feature. If you’re looking for an offbeat, non-traditional horror movie for your Halloween viewing, this is a good choice.
Continue readingMarriage as Tragicomedy

Aldo Ray as the groom & Judy Holliday as the bride in The Marrying Kind (1952), directed by George Cukor
Often overlooked among the films George Cukor directed in the fifties, The Marrying Kind (1952) starring Judy Holliday and Aldo Ray might have suffered from the fact that it was not a pure comedy like Pat and Mike (1952) and It Should Happen to You (1954). It is quite unique from anything else that Cukor attempted and it deserves more than the no-frills DVD release that was issued from Sony Pictures Home Entertainment back in 2003. This is one that cries out for a Criterion Collection Blu-Ray upgrade with all of the extra features that celebrate the featured film in context to its time, place and creation. The Marrying Kind is also an intriguing reminder of the career Aldo Ray might have had if other directors had not cast the actor in roles that accented his imposing physical presence over his acting ability. Continue reading

