Detective Kindaichi vs. Ghostman Sagawa

The 1954 Japanese film poster for GHOST MAN.

Novelists who specialize in murder mysteries and thrillers with detective heroes are not exclusively British and American but practitioners of a worldwide literary tradition, especially in Japan where Edogawa Ranpo, Soji Shimada and Seishi Yokomizo are considered masters of the form. Yokomizo, for example, was so popular and prolific that he was often called the “Japanese John Dickson Carr,” a writer of American detective fiction who created such famous sleuths as Dr. Gideon Fell and Sir Henry Merrivale in his novels. Yokomizo became popular in the post-WW2 years with a series of “locked room” mystery thrillers that began with The Honjin Murders in 1946 featuring the detective hero Kosuke Kindaichi. Yet it wasn’t until 1954 when the character of Kindaichi was first portrayed on the screen by actor Seizaburo Kawazu in the murder mystery Yurei Otoko (English title: Ghost Man). It was the first of several Kosuke Kindaichi film adaptations but, for its era, it was also extremely racy for its female nudity as well as its disturbing narrative which follows the crimes of a cunning serial killer who preys on models.

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Subterranean Homesick Blues

The Japanese film poster for Yatsuhaka-mura aka VILLAGE OF EIGHT GRAVESTONES (1977)

Not all homecomings are happy affairs and, if you want to experience one that makes a good argument against family reunions, consider Yatsuhaka-mura (Japanese title, Village of Eight Gravestones, 1977), which presents the ancestral homestead as a cursed place with a dark history. Tatsuya (played by former pop singer Ken’ichi Hagiwara), the film’s protagonist, was taken away from his mountain village by his mother when he was just a child but when he returns after many years, he feels like the ultimate outsider as he reconnects with family he never really knew. Not only is his village isolated and mired in the past but it sits upon a network of underground caves and tunnels, which hold the key to a family secret.

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