When Ishihara Shintaro died on February 1, 2022 at age 89, most obituaries focused on his career as a politician in Japan. He first served as a member of the House of Councillors (1968 to 1972) and then as a member of the House of Representatives (1972-1995) before becoming the Governor of Tokyo from 1999 to 2012. A controversial figure in his own country, Shintaro was famous for his ultra-nationalist stance on Japan and extreme right-wing views such as discriminating against Japanese-Koreans, the disabled, women, LGBT and other social minorities. He is now considered an early proponent of “hate speech” and often denied historical accounts of atrocities committed by the Japanese against the Chinese in the infamous Nanjing Massacre of 1937, which in Japan is the same as being a Holocaust denier. What is most surprising about Shintaro, however, is his earlier career as an author and highly successful screenwriter for movie studios like Nikkatsu, Daiei and Shochiku. His critically acclaimed first novella, Taiyo no Kisetsu (English title: Season of the Sun), was published in 1955 and he adapted it into a film for director Takumi Furukawa. It became a box office sensation and inspired several successors in a film movement that became known as the “Sun Tribe” (aka Taiyozoku) movies.
Continue readingTag Archives: The Human Vapor
Attack of the Molecular Men

The atom bomb and its devastating after effects have served as the basis for some of the science fiction genre’s most popular and successful films and it’s no surprise that many of them hail from Japan where Gojira (1954, U.S. title: Godzilla) became the first in a long line of radioactive monsters bent on stomping Tokyo. Whether intended as metaphorical retribution for the A-bomb destruction of Hiroshima and Nagasaki in 1945 or cautionary tales about the dangers of nuclear power, these sci-fi fantasies became Toho’s studios’ most profitable exports during the late fifties and early sixties and eventually spawned subgenres of their own, one of which was the “mutant” series. The masterminds behind Gojira and most of the Toho sci-fi releases were director Ishiro Honda and special effects technician Eiji Tsuburaya and their first effort in the “mutant” series – Bijo to Ekitainingen (1958) – still stands as one of their most unusual and distinctive films.
Continue readingThe Kaiju Eiga Man

When the subject of Japanese film comes up, you might assume that Akira Kurosawa is that nation’s most famous filmmaker in terms of international recognition and critical acclaim. Yet, a 2014 book by August Ragone (published by Chronicle Books), makes a good case for another filmmaker from Japan whose worldwide popularity, especially among sci-fi/fantasy fans, is probably greater than Kurosawa, Yasujiro Ozu, Kenji Mizoguchi and Kon Ichikawa combined. His name is Eiji Tsuburaya. What? The name doesn’t ring a bell? Maybe you’ve heard of Godzilla (1954) or Mothra (1961) or Destroy All Monsters (1968) or Rodan (1956) or countless other sci-fi/fantasy films from Toho Studios that featured Tsuburaya’s special effects?
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