They Came from Tugador

The Yugoslavian film poster for the 1981 science fiction fantasy VISITORS FROM THE ARKANA GALAXY.

I always welcome the opportunity to learn new words and I discovered one today from an unlikely source – Visitors from the Arkana Galaxy (1981), a science fiction fantasy from Yugoslavia. In the movie, an aspiring writer questions a psychiatrist about the possibility of fictional characters from a story becoming real creations through the power of thought. The psychiatrist calls it Tellurgy – a non-existence word – but Tulpa is a noun that has the same meaning and refers to a being or object that is created in the imagination by visualization techniques. There have certainly been other movies to explore this phenomenon – Forbidden Planet (1956), Stranger Than Fiction (2006), Ruby Sparks (2019) – but Visitors of the Arkana Galaxy takes the concept in unexpected directions, employing genre parody, surrealism and a healthy dose of black comedy.

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Beastly Behavior

Sometime in the near future, the human race experiences a strange phenomenon in which random people begin to mutate into different animal species. There is no rhyme or reason to the malady but it is starting to dictate a new world order. Francois and his teenage son Emile are affected by this because Lana, Francois’s wife and Emile’s mother, is beginning to transition into some type of creature. She is currently under observation at the hospital but a decision is made to move her into a government facility in a rural area for her own protection and a possible cure. So begins Le Regne Animal (English title: The Animal Kingdom, 2023) from French director Thomas Cailley, a film that has been pigeonholed by some reviewers as a science fiction film but is actually more of a surreal fantasy.

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The Perfect AI Companion

The German film poster for the sci-fi comedy I’M YOUR MAN (2021).

Artificial intelligence (AI) appears to be influencing almost every aspect of human life these days and that includes everything from robopets (as a replacement for the real thing) to the online dating industry. There are even humanoid robots powered by AI but, as yet, no one has created an android that could pass for a real person and interact with them without anyone being able to tell the difference. But it is only a matter of time and Ich Bin Dein Mensch (English title: I’m Your Man, 2021), directed by German filmmaker Maria Schrader, takes this premise and turns it into a thought provoking cautionary tale that is alternately amusing, disturbing, sexy and subversive without ever falling into the trap of being just a futuristic romantic comedy.

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A Romanian Sci-Fi Adventure

The Romanian film poster for the 1984 animated science fiction fantasy DELTA SPACE MISSION.

In recent years streaming options for entertainment – movies, TV shows, music – have increased and become more commonplace in the average U.S. household but, at the same time, physical media like Blu-rays and DVD continues to prosper among movie lovers and film collectors. Specialty distributors like Severin Films, Vinegar Syndrome and Kino Lorber are releasing new acquisitions at an astonishing rate and obscure genre films and forgotten art house fare are suddenly available on Blu-ray in presentations that look better now than they did during their original theatrical release such as The Five Days (1973, Severin), cult director Dario Argento’s rare non-horror period piece, Ulli Lommell’s witchcraft thriller The Devonsville Terror (1983, Vinegar Syndrome) and Francois Truffaut’s Mississippi Mermaid (1969, Kino Lorber). Deaf Crocodile, a distributor based in Los Angeles, stands apart from its competitors for restoring and releasing movies from around the world that many film buffs never even knew existed. Among their recent releases are Zerograd (1988), an absurdist Soviet satire, The Unknown Man of Shandigor (1967) by Swiss filmmaker Jean-Louis Roy and Solomon King, a lost Blaxploitation indie from 1974. The real surprise for me, however, is Misiunea Spatiala Delta (English title: Delta Space Mission), an animated science fiction fantasy from Romania that was released in 1984.  

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In Praise of Tarkovsky

When he died in Paris on July 29, 2012, filmmaker Chris Marker left behind more than 60 short films and features, most of which were experimental cinema essays and documentaries. Many were political in nature but he also dabbled in other favorite subjects such as cats (Cat Listening to Music, 1988), Japan (The Koumiko Mystery, 1965) and the contemplation of memory (Immemory, an interactive CD-Rom from 1997). His work rarely found an outlet in commercial cinema venues but was often celebrated at film festivals and archival/repertory mainstays. If his name sounds familiar to you, it is due to his landmark science fiction short, La Jetee (1962), which remains influential today for its innovative approach to visual narrative. What many don’t know, however, is that Marker directed several highly accessible tributes to favorite film figures such as Yves Montand (La Solitude de Chanteur de Fond, 1974), Akira Kurosawa (A.K., 1985) and Simone Signoret (Memoires pour Simone, 1986) and one of his finest achievements is One Day in the Life of Andrei Arsenevich (1987). 

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On The Road to Extinction

The End of August at the Hotel OzoneEver since I first saw a description for The End of August at the Hotel Ozone in the 16mm rental catalog from New Line Films I’ve wanted to see it. But this 1967 post-apocalyptic drama from Czechoslovakia, directed by Jan Schmidt, has remained an elusive feature for many years. New Line, which was started by Robert Shaye as a film distribution company in 1967, catered to art houses and colleges and universities with its eclectic mix of independent work (Eagle Pennell, Mark Rappaport, Jack Hazan), international fare (Werner Herzog, Lina Wertmuller, Claude Chabrol) and midnight movies (The Hills Have Eyes, Pink Flamingos). Eventually the company moved into producing films as well (such as the popular Nightmare on Elm Street franchise) but in 1994 New Line was acquired by the Turner Broadcasting System, which was then acquired by Time Warner in 1996 and later merged into Warner Bros. in 2008. Continue reading