New York City has served as the background and, in some cases, the main star in dozens of films from King Kong (1933) to The Naked City (1948) to Manhattan (1979), and usually it is depicted as a vibrant melting pot of humanity where opportunity and chance encounters can change the course of one’s life. It can also be a place of desperation, danger and soul-crushing despair and The Rat Race (1960), based on Garson Kanin’s play and adapted by him for the screen, falls into this category. Along with such films as Midnight Cowboy (1969), Death Wish (1974) and Taxi Driver (1976), this tale of two innocents being beaten down by the realities of big city life comes across like a hate letter to the Big Apple, whether that was Kanin’s intentions or not.