Beat Girls and Hep Cats

Among the numerous Hollywood films that attempted to explore the subculture of the emerging beatnik and bohemian scene of the late fifties, none is odder or more blatantly miscast than The Wild Party (1956) which casts Anthony Quinn as Tom Kupfen, a former star football player turned full time deadbeat, hanging out at basement jazz clubs and dive bars, looking for action. He’s joined by a motley crew of hipster accomplices that includes Kicks (Nehemiah Persoff), a jazz pianist of some talent, Honey (Kathryn Grant), a spaced-out former girlfriend, and Gage (Jay Robinson), a switchblade-toting psychopath.

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House Proud

Kim Novak outside the dream house being designed by architect Kirk Douglas in Strangers When We Meet (1960).

Kim Novak outside the dream house being designed by architect Kirk Douglas in Strangers When We Meet (1960).

It’s not unusual for pre-production publicity on a new film to revolve around the star or the director but it’s particularly rare when it focuses on a construction site. In the case of the glossy 1960 soap opera, Strangers When We Meet, directed by Richard Quine, the real star of the movie was the cliff top Bel Air home that was constructed especially for the film by architect Carl Anderson and art director Ross Bellah.   Continue reading