Breaking Up is Hard to Do

In The Devil’s Dictionary, a satirical lexicon written by Ambrose Bierce which was first published in 1906 under the title The Cynic’s Word Book, marriage is described as “The state or condition of a community consisting of a master, a mistress and two slaves, making in all, two.” While it may be an amusing if not particularly favorable definition of what should be a sacred union between two people, it does reflect a negative viewpoint embraced by some who have suffered through it. Possession (1981), directed and co-written by Andrzej Zulawski with Frederic Tuten, takes this conceit a step further, depicting the institution of marriage as not just a form of slavery but the embodiment of hell on earth.

Mark (Sam Neill) confronts Anna (Isabelle Adjani) over her reasons for wanting to end their marriage in POSSESSION (1981).
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The Phobophobic Housewife

Margit Carstensen tries to relax by listening to music in Fear of Fear (1975) but it doesn't stop her increasing bouts of anxiety and depression.

Margit Carstensen tries to relax by listening to music in Fear of Fear (1975) but it doesn’t stop her increasing bouts of anxiety and depression.

Films about housewives losing their identity in a marriage or slowly going bonkers from the daily rituals of domesticity are plentiful enough to form their own distinctive subgenre. Among the most intriguing of these films, all of which reflect the specific time and cultural moment in which they were made, are Frank Perry’s Diary of a Mad Housewife (1970), John Cassavetes’ A Woman Under the Influence (1974), Chantal Akerman’s landmark 1975 feature, Jeanne Dielman, 23 Quia du Commerce, 1080 Bruxelles, Dusan Makavejev’s Montenegro (1981), and the curious Canadian indie Dancing in the Dark (1986), directed by Leon Marr. But the one I’d like to highlight and which I had the pleasure of revisiting recently on DVD is Fear of Fear (German title: Angst vor der Angst, 1975), directed by Rainer Werner Fassbinder. Continue reading