Was high school the most emotionally turbulent rite of passage every teenager had to endure? For some, like French director Olivier Assayas, it was a period of time that helped transform him into the person he is today. Those years provided the raw material to create a deeply personal cinematic experience that was not just an artistic triumph in France but earned the director international attention and acclaim. L’eau Froide (English title: Cold Water, 1994) was Assayas’s fifth feature film but he credits it with being the movie that marks his first real breakthrough as a director. The story of Gilles (Cyprien Fouquet), a troubled student from an upper-class family, and his on-again, off-again infatuation with Christine (Virginie Ledoyen), a rebellious sixteen-year-old from a divorced working-class couple, is semi-autobiographical in nature with some incidents taken directly from the director’s life. Assayas would later state, “Cinema has the capacity for making you experience moments, emotion in your life and looking back on it I have the strange feeling that this movie belongs to the seventies.”
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The Phobophobic Housewife

Margit Carstensen tries to relax by listening to music in Fear of Fear (1975) but it doesn’t stop her increasing bouts of anxiety and depression.
Films about housewives losing their identity in a marriage or slowly going bonkers from the daily rituals of domesticity are plentiful enough to form their own distinctive subgenre. Among the most intriguing of these films, all of which reflect the specific time and cultural moment in which they were made, are Frank Perry’s Diary of a Mad Housewife (1970), John Cassavetes’ A Woman Under the Influence (1974), Chantal Akerman’s landmark 1975 feature, Jeanne Dielman, 23 Quia du Commerce, 1080 Bruxelles, Dusan Makavejev’s Montenegro (1981), and the curious Canadian indie Dancing in the Dark (1986), directed by Leon Marr. But the one I’d like to highlight and which I had the pleasure of revisiting recently on DVD is Fear of Fear (German title: Angst vor der Angst, 1975), directed by Rainer Werner Fassbinder. Continue reading
Leonard Cohen’s 1972 Concert Tour
“If your life is burning well, poetry is just the ash.” – Leonard Cohen
Missing in action since it was first filmed by Tony Palmer in 1972, Bird on a Wire, a documentary account of Leonard Cohen’s European tour, finally surfaced on DVD in 2010 after being painstakenly restored frame by frame by the director who described the long, complicated history on the extra audio features. It’s a shame the film didn’t garner more attention upon its DVD debut but for Cohen fans, the documentary is essential viewing and just as candid, raw and intimate as D.A. Pennebaker’s remarkable Bob Dylan portrait, Don’t Look Back (1967), which covered that singer/songwriter’s tour of England in 1965. Continue reading
