What happens when you get a bunch of men together, some of them armed with flasks of brandy or whiskey, give them guns and set them loose in the forest? It sounds like a lethal combination but it doesn’t have to be and rarely is in the world of experienced outdoorsmen. At the movies, though, it’s a different story as witnessed by so many thrillers about hunting parties and their targets. Certainly the many film adaptations of Richard Connell’s short story The Most Dangerous Game is a famous example but there are also variations such as armed officers hunting a prisoner (Antonio Isasi-Isasmendi’s A Dog Called Vengeance, 1977), men hunting each other (Carlos Saura’s The Hunt, 1967), men and women stalking each other (Elio Petri’s The 10th Victim, 1965) or men hunting women (the Australian revenge flick Fair Game, 1986). La Traque (aka The Track), a French film by Sergio Leroy, fits into the last category, but it is not a predictable genre entertainment, a satire or a blatant exploitation film.
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Mimsy Farmer’s Strangest Movie?
Anyone who is a fan of Italian giallos, European art house fare and off the grid cult films is familiar with actress Mimsy Farmer. She left Hollywood in the late sixties after her “youth exploitation” days with American International Pictures in such films as Hot Rods to Hell and Riot on Sunset Strip. Relocating to Europe, she pursued film roles there for the remainder of her career. As an actress she was rarely drawn to mainstream commercial projects and a sampling of her eclectic filmography includes such diverse titles as Barbet Schroeder’s drug addiction opus, More (1969), George Lautner’s erotic melodrama Road to Salina (1970), Dario Argento’s 1972 murder mystery Four Flies on Grey Velvet, The Taviani Brothers’ critically acclaimed Allonsanfan (1974) and Serge Leroy’s survivalist thriller, La Traque (1975). But one of her most obscure and unusual roles is Fabio Carpi’s Corpo d’amore (aka Body of Love, 1972).
