You’d expect a film with a title like Hitler’s Children (1943) to be an exploitation picture, not a prestige production and you wouldn’t be wrong in most respects. But this sensationalistic melodrama about a Nazi youth and his American girlfriend struck a resonant chord with audiences of its era, making it the highest grossing film of all time for RKO Studios, surpassing even the box office receipts of King Kong (1933) and Top Hat (1935).
Continue reading
Films about hobos have always been predominantly about male characters, with few exceptions such as Veronica Lake donning a male hobo disguise and tagging along with Hollywood producer-turned-drifter Joel McCrea in Sullivan’s Travels [1941]. So, it’s particularly unexpected and refreshing to see a Depression era based film like Girls of the Road (1940), in which almost all of the central characters are women, playing runaways, vagrants and other homeless cases, fending for themselves on the margins of society. Continue reading
Cinema Sojourns 