As 2017 drew to a close, Hollywood studios and independent film distributors raced to release their best movies in order to qualify for Oscar consideration. The documentary category in particular was unusually strong that year with such critically acclaimed contenders as JR & Agnes Varda’s Faces Places, Ai Weiwei’s Human Flow and Errol Morris’s The B-Side: Elsa Dorfman’s Portrait Photography. Mostly overlooked among the many offerings, however, was a remarkably diverse portrait of the artist Joseph Beuys (1921-1986) from Germany entitled Beuys (2017), directed by Andres Veiel.