Only a Pawn in Their Game

Tetsuo Abe in his only film role plays a ten-year-old boy who is used by his parents in a dangerous extortion scheme in Nagisa Oshima’s Shonen aka BOY (1969).

Not everyone has an idyllic childhood and some unfortunates don’t even have a childhood at all. That is certainly the case with Toshio (Tetsuo Abe), a ten-year-old who is being used by his father Takeo (Fumio Watanabe) and stepmother Takeko (Akiko Koyama) in an ongoing scam which entraps car drivers. The ploy involves stepping out into traffic, pretending to be hit by a car, and falling to the ground and feigning an injury. If the driver doesn’t offer to settle the incident on the spot with a cash payment, the fake victim threatens to call the police to settle the matter. In many cases, the drivers are only too happy to pay the scammers a cash settlement to avoid a lawsuit or court case. Toshio and his family of three (including a tiny tot named Peewee) have been on the move across Japan, enacting this scenario for some time with Takeko playing the fake accident victim. But the time has come for the parents’ ten-year-old to take on this role and he has little choice in the matter. So begins Nagisa Oshima’s Shonen (English title: Boy, 1969), a harrowing portrait of parental abuse and negligence, which was based on a true case that made national news in Japan in 1966.

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The Faithful and the Faithless

The Japanese film poster for THIS TRANSIENT LIFE (1970).

Some people believe in heaven and the afterlife while others are convinced that human life is temporal and when it ends nothing remains but a corpse. A dramatization of those opposing views in a film would be a challenging task for any director but Japanese director Akio Jissoji confronts a number of philosophical and religious matters by exploring Buddhist thought and practices versus human desire in Mujo (English title: This Transient Life, 1970). The result is a fascinating and visually innovative character study that manages to balance the sacred and the profane in one of the most overlooked Japanese films of the 70s which is finally starting to receive its due thanks to resurfacing on Blu-ray in recent years.

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