Things Come to a Boil

Satiric films about the world of advertising are always welcome and certainly necessary in a world where marketing of some kind is always assaulting the senses of potential consumers. Among some of my favorites in the genre from their respective eras are Will Success Spoil Rock Hunter? (1957), Giants and Toys (1958) from Japan, Putney Swope (1969), The Hudsucker Proxy (1994), the subversively comic documentary The Yes Men (2003), and Thank You for Smoking (2005). But undoubtedly one of the most cynical, biting and deranged of them all is How to Get Ahead in Advertising (1989) in which the title can be taken quite literally. The protagonist of the movie, a self-assured marketing genius, sees his life and career usurped by a boil on his body that ends up replacing his own head and becomes an even more successful version of himself. What? Yes, you read that correctly.

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The Perfect Yuletide Mix of Schmaltz, Schmerz and Schmutz

That was how Preston Sturges described his screenplay for Remember the Night (1940), directed by Mitchell Leisen. Overlooked and underrated for years, this small scale but intimate romantic drama has become a Christmas favorite in recent years thanks to frequent airings on TCM and its availability on DVD.  

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Space Oddity

Androids with four arms! Curvaceous, lifelike inflatable women! Bald interplanetary kidnappers dressed in dark raincoats and wearing shades! Human mutants and laboratory rejects! A bizarre space-age cabaret where all of the performers are dressed as giant butterflies! These are just a few of the sights you’ll see on The Wild, Wild Planet (1966), a groovy Italian science-fiction adventure directed by Antonio Margheriti. 

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